Jocelyn Gould at Frank and Mark’s

On another damp and dismal evening, I was looking forward to finding out more about Jocelyn Gould, the guest at Frank and Mark’s.

The musicians entered almost unnoticed, followed with a lovely humble introduction to (and from) the Juno Award-winning guitarist who had come all the way from Canada. This was her first visit to the UK, and one of only two dates [the first being at Pizza Express Dean St. in London, where accompanying images here were taken].

From the start, opening with her own composition ‘Trail Blazer’, it was clear to see what an exceptional virtuoso Jocelyn Gould is. In this intimate setting, the clarity of sound was outstanding, providing the perfect environment to hear the intricacies of the playing, and the harmonic and subtle support from Mark Hodgson on bass, Frank Harrison on piano, and special guest Stephen Keogh on drums.

Even before Gould introduced ‘Jingles’, a clear love of Wes Montgomery could already be detected in her playing. There were also echoes of the precision and clear harmonies and sound of Pat Metheny and other great players, but nonetheless an impressive exuberance, fresh and joyful sound all of her own.

In ‘My Shining Hour’ and her own ‘Bright Note’, there was an astonishing and intense focus in the playing. Gould has a positive, joyful and playful presence. Her enthusiasm and a plain enjoyment of the music is infectious, but there’s also a real scholarly, serious approach. In an introduction to a Duke Ellington tune ‘All Too Soon’ she spoke interestingly about her fondness for sad songs written in a major key. She also spoke about research and you felt there was a searching element to it all.

However, what was most incredible and somehow unexpected was when she started singing. Her voice is restrained, precise and beautiful. There were shades of Blossom Dearie with an unusual fragile quality (Chet Baker like), particularly on her version of Richard Rogers’ ‘Bewitched, Bothered and Bewildered’ and on her own composition ‘I haven’t managed to forget you’, which had outstanding accompaniment from Mark Hodgson.

I’ve been particular in writing about the titles, because it seemed such a thoughtful selection, almost like a selection on Radio 3’s great programme ‘Private Passions’.

This felt such a very special, intimate performance and somewhat elevating. Here’s hoping Jocelyn Gould will visit the UK again soon.